Tina Sauerländer, about “DREAM”, 2017

In Dream (2016), the artist Anuk Miladinović collages and cross-fades sequences of video material that shows cultural uses of water: a swimming pool in which people draw their paths in clear water or a watergate filled with filthy water and ships that float through and disappear again. Water is reminiscent of a clean sport or wellness center as well as a polluted, global transport route with almost endless container ships. The film does not follow a clear narration. Unlogical or unrealistic connections revert to a different dream world in which real conditions reflect the subconscious.